Playing Age: 20 - 30
Special Skills: Mezzo-Soprano with a three-octave range, close harmony singing, Grade 7 Piano, Ballet, Tap, Jazz.
Highlights: Natalie originated roles in two H.P. Lovecraft play adaptations (MOUNTAINS OF MADNESS and THE THING ON THE DOORSTEP: ASENATH’S TALE, both written by TL Wiswell). Yu may have seen her doing ‘The Robot’ to try and measure a sofa against a doorway for eBay’s REALITIES OF MOVING HOME online campaign.
She also performed at The Criterion Theatre for their 2017 New Writing Showcase.
Natalie trained at The Poor School, having previously gained an FdA Musical Theatre from Newcastle College and a BA (Hons) Musical Theatre from Buckinghamshire New University. Her training sparked a love of comedy, playing Judith Bliss in HAY FEVER and Ovington/a dancing Cleaner cameo in HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING. Since graduating, Natalie has had a varied string of credits, from Young Scrooge’s fiancée, Emily in A CHRISTMAS CAROL: THE MUSICAL (Menken) at the LOST Theatre (now Stockwell Playhouse), to a Tree Nymph for the immersive concert performance of Kate Bush’s HOUNDS OF LOVE album by Immersive Music, to originating two roles in gender-switched adaptations of H.P. Lovecraft stories – Professor Pomona Peabodie in MOUNTAINS OF MADNESS and ASENATH WAITE in THE THING ON THE DOORSTEP: ASENATH’S TALE.
A highly accomplished singer: ‘Natalie Morgan (Emily) shows off beautiful vocals.’ -The Play’s The Thing, Natalie is a versatile performer who is interested in a wide variety of work. In late 2018/early 2019 she will be in the UK Tour of the David Walliam’s musical BILLIONAIRE BOY.